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Program

A young boxer and a call girl get caught up in a drug-smuggling scheme over the course of one night in Tokyo.

Country:
Japan, Velika Britanija / Japan, UK, 2019
Genre:
Krimi / Crime, Romanse
Group:
FEST 48
Duration:
108’
Director:
Takashi Miike
Screenplay:
Masaru Nakamura
Cast:
Becky, Sakurako Konishi, Masataka Kubota, Nao Ōmori, Shōta Sometani, Jun Murakami, Sansei Shiomi, Seiyō Uchino
Festivals:
2019 Kan, Toronto, San Sebastijan, Pusan, London, Varšava / Cannes Film Festival, Toronto International Film Festival, San Sebastian International Film Festival, Busan International Film festival, London Film festival, Warsaw Film Festival
Cinematography:
Nobuyasu Kita
Editing:
Akira Kamiya
Music:
Koji Endo
Produceris:
Muneyuki Kii, Jeremy Thomas, Misako Saka
Production:
OLM, Inc.
Distributer:
MCF MegaCom Film
Filmography:
2019 Hatsukoi / First Love / Prva ljubav
2015 Yakuza Apocalypse / Apokalipsa jakuza
2014 Over Your Dead Body
2013 The Mole Song:
Undercover Agent Reiji
2010 13 Assassins 
2007 Sukiyaki Western Django / Sukijaki vestern Đango
2002 Dead or Alive:
Final 
2001 Koroshiya 1 
2000 Dead or Alive 2:
Birds
1999 Dead or Alive:
Hanzaisha 
1999 Ôdishon 
1995 Shinjuku kuroshakai:
Chaina mafia sensô 
 

Showing

03. Mar

Time: 22:30
Price: 400 RSD
Dom omladine

04. Mar

Time: 15:00
Price: 350 RSD
Dom omladine

TAKAŠI MIKE / TAKASHI MIIKE

Cult Japanese film director Takashi Miike was born in 1960 in Osaka, Japan and is a graduate of the Yokohama Vocational School of Broadcast and Film, founded by renowned director Shôhei Imamura. Miike spent almost a decade working in television, in many different roles, before becoming an assistant director in film to, amongst others, his old mentor Imamura. The “V-Cinema” (Direct to Video) boom of the early 1990s was to be Miike's break into directing his own films. Miike's first theatrically distributed film was Shinjuku kuroshakai: Chaina mafia sensô (Shinjuku Triad Society, 1995), and from then on he alternated V-Cinema films with higher-budgeted pictures. His international breakthrough came with Ôdishon (Audition, 1999), and since then he has an ever expanding cult following in the west. A prolific director, Miike has directed more than 60 films. His films being known for their explicit and taboo representations of violence and sex.

 

CRITICS

First Love is mostly remarkable for renewing once again the apparently infinitely renewable resource that is Miike’s filmmaking energy.

Jessica Kiang, Variety
 

 

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Sponsors

 
Grad Beograd
 
Ministarstvo kulture i informisanja - Republika Srbija
 
CEBEF - Centar beogradskih festivala
PARTNER
MTS
 
SPONZORI
Knjaz Miloš
 
 
 
 
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